Feldstein is severely allergic to a laundry list of items, from dairy to cats to two of the most common preservatives found in makeup. She goes on to tell everyone about her baking exploits- successful scones, failed oatmeal cookies-all gluten-, dairy-, and nut-free to address her and Roberts’s various allergies.
(Maulawizada did Kristin Davis’s makeup for the show.) “We’re obsessed!” says Feldstein, who spent the month of January holed up at her parents’ country house in the Berkshires to avoid the omicron surge.
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Wearing emerald velour Gucci-logo sweatpants (her first major campaign for the brand appeared this spring) and a waffle-weave bathrobe, she starts to tell Maulawizada how much she and her partner, film and TV producer Bonnie Chance Roberts, loved And Just Like That. Onstage the rigging crew bangs pipes, drills into cinder block, and catches clanking chains descending from the rafters.įeldstein makes her way upstairs to prepare for the shoot with her “work husbands,” hairstylist Peter Butler and makeup artist Matin Maulawizada-a pair who have worked with Feldstein since 2017. Slave Play closed less than a week before, and the posters and marquee still bear that play’s signage. The theater is a symphony of preshow activity. (She was last there to see Mean Girls.) Rehearsals will begin the following week, but Feldstein is here for her Vogue shoot. On a brisk morning in early February, it is beginning to feel slightly more real as Feldstein enters the August Wilson Theatre for the first time not as an audience member. “It still does not feel tangible or real.” “The expression ‘lifelong dream’-that statement feels very applicable to me,” says Feldstein. Feldstein’s mother, Sharon, did her best with the assignment, sending out invitations declaring, “Our Funny Girl is turning 3” and fashioning a pint-size version of the leopard-print coat and pillbox hat Streisand famously wears as Fanny Brice, the groundbreaking early-20th-century comedienne, immortalized first on stage and then in the 1968 film.Ī quarter century after Feldstein’s birthday-turn as Brice, she will reprise the role, this time on Broadway, when Funny Girl officially opens in late April at the August Wilson Theatre.
I thought my mom could just go to Party City and buy Barbra Streisand balloons,” the now 28-year-old actor says.
“Other people had Elmo or Little Mermaid balloons. It never occurred to three-year-old Beanie Feldstein, when she requested a Funny Girl–themed birthday, that the party store near her family’s Los Angeles home wouldn’t have a Barbra Streisand section.
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